In this series of her earliest work, Meryl Meisler captures the drama and exuberance of the 1970s, when pop-psychology encouraged everyone from suburban Long Island housewives to drag queens and disco queens to self-actualise and act out. Via direct submission. All images courtesy and copyright of Meryl Meisler The photographs drift between the kitsch-filled rooms of Meisler’s hometown in Long Island to the gritty clubs and streets of disco-era New York. Meisler takes her stylistic cues from the snapshot aesthetic that was at the centre of New York’s photo world debates since the New Documents show organised by John Szarkowski at MoMA in 1967. She was inspired by Jacques Henri Lartique’s decades-long photo diary, Diane Arbus’ retrospective at MoMA in 1972 and Brassai’s effervescent Paris by Night photographs from the 1930s. These influences helped define her approach, which focused on a personal diary, the snapshot aesthetic and nightlife. Her distinct, borough-spanning visi...
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